Ciro Rocha is the Founder and CEO of Enredo Brand Innovation, an award-winning consultancy working with clients from different sectors such as AB Inbev, Mitsubishi Corp, Mitsui & Co., Lar Cooperativa, Record TV, Eurochem and more.

He is a Branding Specialist, Business Administrator (Universidade Federal de Goiás) with Strategic Marketing extension (HEC Liège, Belgium), MBA in Marketing (FGV), and Service Designer with a strong Design Thinking/Design Sprint background.

Outside of his main job, Ciro Rocha is a mentor, MBA Professor for Branding, Marketing and Innovation, Regional director of Brazilian Association of Design Companies (ABEDESIGN) for Goiás, President of Customer Service Excellence Committee at the American Chamber of Commerce (AMCHAM), Director of MGC (Movimento Goiás Competitivo) and member of the Consultive Council at ACIEG - Associação Comercial e Industrial de Goiás.

Ciro is a winner of the iF Design Award, FeP i and Lusófono awards. He has been a jury member of many creativity and design festivals such as El Ojo de Iberoamerica (Argentina), FePI (Argentina), Lusófonos (Portugal), Lisbon Awards (Portugal) and Prêmio ABRE de Embalagem Brasileira.

Cova is an Executive Creative Director from Spain, where she has been working for the last 15 years. She started her career at Leo Burnett and, since then, she’s been part of different agencies such as Shackleton, China, and Young & Rubicam, where she’d developed works for brands such as P&G, Kellogg’s, and NBC Universal International Network.
Cova currently holds the position of Executive Creative Director at Dentsu Creative Spain, working for Orange Telecom and CaixaBank amongst other brands.
Her work has been awarded in different festivals such as Cannes Lions, Festival Iberoamericano El Sol, El Ojo de Iberoamérica and Club de Creativos. Recently, she has also been a jury member at The One Show in the Direct category.
She is also a member of Más Mujeres Creativas, a non-profit organization in Spain dedicated to promoting female visibility in advertising.

In Germany any design hipster will nod (or not) enthusiastically at the very name, like a nodding dog brought to life on the back shelf of a car. The sorts of creatives enamored of grids and dismissive of pleasure, however, will shake their heads the other way and refer, anxiously wide- eyed, to the danger that comes from König-style anti-aestheticization. And that’s not all: For all the modern performers who see creativity as a good assistance system for planned business success in the branding coordinates system of international communication, he remains an unfathomable puzzle.
Eike produces not answers, but rather discourse. Partly with autobiographical justification, in his creative structures he triggers a ubiquitous media cacophony, which pelts us daily with content-bearing messages, almost like being pelted with bags of cement at the Holi festival in Rajasthan, India. He thus becomes the couturier of a visual decompression suit that banishes into weightlessness our self-made performance pressure stemming from competition and repression for the moment of observation. At first glance, König’s route seems so simple here: Serial repetition, little color, bold type, short statements and omnipotent branding are all thrown into the mixer and then, with no great shock absorption, chased across the cobblestones of modern, economically-shaped data highways. For moments here, he becomes the deconstructivist chronicler of a world in which brands, through the DASD plate tectonics of countless DNA servers, crumble into ever smaller particles. The grid-free swarm intelligence that thus comes to light issues a refusal of classic readability. But Eike wouldn’t merit his kingly surname if he did not touch upon the anti-aesthetic tabernacle with quite so much virtuosity or have invented his very own visual chaos theory. His eternally creative light transforms design elements into free radicals, which develop a hugely associative delight in reaction among observers at every interface of contact.
He lives and works in Berlin Germany.

20 years in the profession, co-owner of the second most creative branding agency in Russia, author of several hundred graphic design projects, winner of hundreds of awards in the field of creativity, including Cannes Lions, One Show, D&AD, Eurobest, European Design Awards, ADCE Awards, Epica Awards, Red Dot, Golden Drum, Red Apple, KMRF, ADCR, Popok, Golden Hammer, Logolounge trends, White Square, Idea, Runet rating and many others.